Our Vision #24: Workshops

The blacksmith’s shop and three attached sheds on the mill site will be designated as multi-functional workshop spaces. These workshops could support artist residencies or local artist commissions, and could serve as breakout educational spaces for school groups, youth groups, summer camps, and temporary research facilities for visiting university programs. Refitted to include workshop benches, lighting, and metal-working equipment, the workshop would be spacious and adaptable to a variety of uses.

blacksmith and other sheds - then and now

 

Our Vision #21: Old Mill Ruins / Gathering Space

The site of the original mill (no longer present) could become an outdoor gathering space, with the foundation creating natural walls around the concrete platform.  A screen could be hung from the hydropower structure, facilitating films, talks, and other events.  

I think they're watching 'Lucky Texan'

Our Vision #18: Audio Tours

Visitors to the Ute Ulay site may have the choice of various audio tours featuring the voices and knowledge of local residents. 

Julia enjoying an audio tour

For example, one could choose to take the poetry audio tour and listen to regional poets reading work evocative of the landscape or mining.  Someone else might choose the ghost tour, and listen to the voice of local miner George Hurd or historian Grant Houston telling stories about the mine and Lake City.  Yet another visitor might choose to listen to the voice of Matt Ingram describe what it was like to work at the mill.

Our Vision #17: Mill and Assayer’s Cabin

The unique and remarkably intact mill building could become the central historic attraction of the Ute Ulay site, as well as another source of revenue.  There may be potential for a partnership with the Hard Tack Mine, and with miner Matt Ingram, who could give tours or record an audio guide.  

Mill Building with Walkway Superstructure

Building walkways around and through the mill would solve the problem of a costly indoor restoration, allowing visitors to view the complex machinery and imagine the milling process. A sound artist could be invited to repurpose some of the machinery as kinetic sculptures, giving visitors a sense of the industrial cacophony inside a working ore mill.

The assayer’s office next to the mill might be reused as a workspace for a resident artist or writer or building administrator.